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Terrible year for the world; terrific year for movies, which is some small consolation. Though we needn't overextend the supposed correlation of bad times/good art, the year's best film might've merely been one among many very good ones if not for its galvanizing present-day coda. Of course, I'd trade a great movie for an inferior one together with less harrowing current circumstances, and I'm sure Spike Lee would too, but here we are. Radical resistance art par excellence –– or torridly making out with Amanda Seyfried –– might be all we've got as things stand.
01. BlacKkKlansman (Lee)
02. Zama (Martel)
03. First Reformed (Schrader)
04. Transit (Petzold)
05. Burning (Lee)
06. Roma (Cuarón)
07. Hereditary (Aster)
08. The Favourite (Lanthimos)
09. Microhabitat (Jeon)
10. Ash Is Purest White (Jia)
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11. Lush Reeds (Yang)
12. The Image Book (Godard)
13. The Death of Stalin (Ianucci)
14. Support the Girls (Bujalski)
15. Shoplifters (Koreeda)
16. The Third Murder (Koreeda)
17. On Happiness Road (Sung)
18. Mirai (Hosoda)
19. Three Faces (Panahi)
20. Mid90s (Hill)
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21. If Beale Street Could Talk (Jenkins)
22. Fausto (Bussmann)
23. Edge of the Knife (Edenshaw/Haig-Brown)
24. Hold the Dark (Saulnier)
25. Grass (Hong)
26. Cam (Goldhaber)
27. Oh Lucy! (Hirayanagi)
28. The Darling (Lee)
29. You Were Never Really Here (Ramsay)
30. Paddington 2 (King)
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31. Spider-Man: Into Spider-verse (Persichetti/Ramsey/Rothman)
32. A Land Imagined (Yeow)
33. Leave No Trace (Granik)
34. The Museum of Forgotten Triumphs (Bodružić)
35. Father to Son (Hsiao)
36. Non-Fiction (Assayas)
37. Sorry to Bother You (Riley)
38. May the Devil Take You (Tjahjanto)
39. Unsane (Soderbergh)
40. Cargo (Howling/Ramke)
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41. Verónica (Plaza)
42. Calibre (Palmer)
43. Diane (Jones)
44. Crazy Rich Asians (Chu)
45. Searching (Chaganty)
46. A Quiet Place (Krasinski)
47. Paul, Apostle of Christ (Hyatt)
48. Ralph Breaks the Internet (Moore/Johnston)
49. The Incredibles 2 (Bird)
50. The Endless (Benson/Moorhead)